Boston Site-Seeing, the USGlass Way

I headed up to Dulles International Airport Wednesday afternoon, on my way to Boston for the American Institute of Architects (AIA) Convention. I’m at Dulles a lot, and I always enjoy watching the progress on their construction of the new underground train lines and walkways that will better connect the terminals. Wednesday I happened to linger for a few minutes outside the security checkpoint to watch the installation of the last of a series of (comparatively) small skylights. A number of lites of glass were propped up on the roof—I suppose you can call it the roof, although the concrete surface with its scattered pyramids of glass was several feet below my viewing area. I watched a crane slowly lifting … well, presumably the skylight or pieces of it that would fill the large opening the three orange-vested workers stood around. I never saw the load make it to its destination. I decided it would be better if I didn’t dawdle too long or snap photos to share with you, readers, as security had already thoroughly checked my bags and I was hoping they wouldn’t do the same to my person.

So it was off to Boston, with my site-seeing already begun.

You see, last week’s call for unique projects in the Boston area hadn’t gone unanswered. Mike Gainey of Azon USA was kind enough to point out a unique and artistic work at Brown University, which Mapquest tells me is about an hour outside of that city. The Lines of Sight Installation is comprised of 140 windows. According to information from the school, each unit is made up of hundreds of thousands of glass elements—made of slightly green-tinted glass or crystal-clear glass, tiny magnifying lenses and small mirrors and prismatic beads—interspersed with about a half-million clear glass distillation beads. Small rectangles of glass, resembling microscope slides, were hand-engraved with phrases of poetry or prose, the authors’ names and their birth year. Finally, the outer layer of glass was sandblasted with the faint image of two hands, one on either side of the bridge. Mike reports that Solar Seal, a commercial glass fabricator in Boston, made the IG units that artist Diane Samuels worked on.

"I have not seen the glass on the jobsite but did in the factory and it was really fun to see something so artistic out of what we do every day,” Mike told me.

It seemed like such an interesting project I just had to share that background here.

While I didn’t get too much opportunity for any touristy trips in Boston—days jam-packed with seminars and booth appointments kept me hopping—there were two buildings that used glass in ways worth noting.

On Friday night Oldcastle Glass hosted a lovely reception at the Artists for Humanity EpiCenter. One of the top ten sustainable buildings in the nation, as selected by AIA, the venue typically provides the city’s “underserved youth with the keys to self-sufficiency through paid employment in the arts.” On Friday night it had been transformed into a musical and colorful site for industry networking. I’m mildly embarrassed to say that I did in fact text a photo that night to my coworker Penny Stacey, editor of sister publication AGRR/glassBYTEs, not of the artwork decorating the walls but of the windshields that formed the railing along the loft-like second story. I knew Penny would approve of this mode of decorating.

The second building may seem like an obvious choice, but those of us in the combined USGlass/Glass Association of North America booth couldn’t help but comment on the appropriateness of the new Boston Convention and Exhibition Center as the site for our glass-related activities. The glass-walled Skywalk, the hallway across the expo, provided a neat overview of the show. And the importance of daylighting clearly wasn’t lost on the construction team responsible for the new building. It was a neat venue, and I look forward to returning soon!

Boston, Here I Come!

I’ll admit it: I’ve been looking forward to this week’s American Institute of Architects (AIA) Convention for months now. And yes, I’m looking forward to the insightful seminars on topics such as “Daylighting Obstacles,” “High-Performance Enclosures” and “Energy Codes and Fenestration.” And the interaction with architects expressing where they see demand for glass heading, providing the fuel for many articles to come. And the many appointments set up with companies such as Zeledyne (formerly ACH), which is going through such an exciting transition right now, and others that are just hinting at exciting product introductions to come. But can I be honest with you for a minute? Truth be told, I’m really excited about spending four days in Boston.

I’ve actually only been to Boston once, as part of a school trip back in college. My roommate was a historic preservation major and I was just interested enough in the fascinating topic to take part in the club activities and trips (but not the intensive class work; we lucky English majors just had to curl up with a good book!). What a great way to see a city, though, through its historic architecture.

The first thing I remember about that trip is that it was March and the wind was blowing furiously to the point that our group of 16 traversed the city through a complicated system of coffee shops in order to stay out of the cold: walk a block, stop in Starbucks, walk two blocks, pop into a local coffeehouse, walk half a block until the wind picks up, time for another caramel macchiato.

The next thing I remember is visiting Paul Revere’s house. And, ironically enough, even all of those years ago what interested me the most about the small, historic house surrounded by skyscrapers was (you guessed it) the glass in the windows. No, I am not making this up.

The tour guide explained that you could tell that several of the original lites were still in place because of the lavender color they had taken on over time. (One online source tells me the color change was due to an excess of manganese oxide in the glass. Another says the color was the result of ultraviolet light on the imperfections in a shipment of glass sent to Boston around 1820. Your thoughts?) He also noted that there was a barely perceptible difference between the thickness at the top of each small pane from the bottom because the glass was slowly “dripping” down, glass being a liquid and all … Is that so, I thought at the time. How would you have responded to this comment? Throw your best technical jargon at me so I can casually spout this industry knowledge to other tourists next time I make my way back to Paul’s home.

That visit probably won’t be during this trip. Hopefully I’ll make it out of the convention center for five minutes this week to explore more of this fascinating city. Being time crunched, I sure would appreciate it if you would stop by the USGlass booth, #14165, to share your recommendations of must-see examples of Boston architecture. I’d love another tour like the one I recently took part in while in Las Vegas for Glass Fab. You can bet I’d be staying extra days if it weren’t for the fact that my brilliant and wonderful sister is graduating from the University of Virginia this Sunday with a bachelor’s degree in German and a minor in French (I just had to get that “shout-out” in there). Congratulations Robyn!

Stay Safe Everybody!

Today marks the start of Building Safety Week, as promoted by the International Code Council (ICC). This year’s theme is “Building Safety: Where You Live, Work and Play.” Among the top five building safety tips the ICC proposes for homeowners is the installation of “tempered or multiple pane windows – Windows allow heat to pass through and ignite combustible materials inside. Dual- or triple-pane thermal glass, and fire resistant shutters or drapes, help reduce the wildfire risk. You can also install non-combustible awnings to shield windows and use shatter-resistant glazing such as tempered windows to help prevent breakage from heat and debris.”

I’m sure the glass industry can offer a number of additional ways in which to promote building safety. Are you promoting the many ways in which glass can keep people safe in your community?

For our part, USGNN.com recently ran a preview of an article on skylight safety that will be appearing in our May issue of USGlass. While I found in researching the article a great deal of discussion over whether a human-impact resistance standard was as necessary for glass skylights as compared to plastic skylights, it sure seems like something needs to be done. That same day we ran an article titled “Child Falls Through School Skylight.” The following day we ran this link: "Boy Fighting for Life" (notice the mention of the plastic skylight—I wish more of these articles made note of the type of product involved in these injuries). Unfortunately, these stories aren’t so rare as one might hope. Hopefully programs such as the one ICC is promoting this week will help keep more people safe.

While ICC’s safety promotion might be aimed at the consumer, what better time than the present to take a look at your own safety program and make sure your facility is in full compliance with OSHA regulations.